Kornelia Binicewicz
On an island near Istanbul, reachable only by ferry, lives a very special storyteller. She is a record collector, an anthropologist, a curator. What might read like the premise for a modern fairytale is, in fact, the story of Kornelia Binicewicz—the woman behind Ladies on Records. Through this project, her DJing, and her curated compilations, Kornelia tells us about the women both at the forefront and in the shadows of the male-led music industry. This is no ordinary record collector—this is
DaM FunK
Damon “DāM-FunK” and I go way back. In 2008, captivated by the rawness of Rhythm Trax Vol. 4 (and “Burgundy City,” the single that followed) I was determined to know more about this emerging, seemingly elusive artist. The swells, the swing and the synth of his sound drew close to the touchstones of soulful dance music. Yet, Dam’s drum programming, arrangements and tempos had a musical intellect that felt distinctly unique.
You Dig? | Issue #08
Issue #08 | August 2025 | Curated by DB Burkeman | Artwork by Pia Dehne | | | Down at those crossroads we reckon you’re sure to find this month’s cover art, from NY-based artist Pia Dehne. The painting’s based on her 2004 photoshoot, which recreated Jimi Hendrix’s Electric Ladyland cover – the one that didn’t make it to the then-prudish US market in 1968. The stencil-cum-cave painting style gives the iconic cover a whole new, yet curiously fitting vibe.
Paola Puente
If Paola Puente’s records, portable turntables, vintage toys and ephemera were housed in a museum, it would be enough to make The Smithsonian envious. The fact that one individual has single-handedly amassed such a meticulously curated collection is extraordinary.
John Armstrong
Listening to John Armstrong’s stories in his room with open cupboards full of vinyl records and books, I found to be very inspiring. Mahogany-colored shelves stretched from wall to wall. There were two other rooms crowded with vinyl in his New-Victorian house, most of them in boxes which he “still needs to unwrap.” I knew immediately that this interview would travel into deep and wide landscapes. John Armstrong started DJing in the 1970s while working as a lawyer at a Jewish law firm in
Carter Van Pelt
Carter Van Pelt had an inauspicious beginning for a reggae DJ, event producer, and historian. Born and raised in Nebraska, Van Pelt grew up surrounded by the sounds of John Denver, the Eagles, Simon & Garfunkel, and Bread—music beloved by his ever-encouraging, artistic mother. Although he had an ear for soft rock, Carter’s musical passion was grounded in something Nebraska knew little about–reggae. He found the genre as many would in the ‘70s and ‘80s, through Bob Marley and The W
Rafa Jazz
São Paulo’s Rafa Jazz has become a ubiquitous force on the capital city’s scene in recent years. As a shop owner, label boss, radio personality, heavy-weight vinyl junkie, and purveyor of some of the creamiest sounds in town, what drew her to the world of wax began as a way to procure the jazz music she loved in an affordable format.
Mary G
Born and based in São Paulo, Brazil, Mariana Mendes Guarnieri—known as Mary G—has become a staple of the Brazilian house scene. It took years to break into the mainstream, but now she plays the biggest stages alongside artists who once filled her parents’ modest record collection. At the Coala Festival, she opened for the father of so many generations, Gilberto Gil, and at Blue Note São Paulo, she set the stage for the legendary “wizard” Hermeto Pascoal.
A-Trak
Smooth transitions are paramount in DJing, and few DJs have transitioned through the phases of their career as gracefully as A-Trak. He first rose to prominence as a turntablist wunderkind at the DMC World DJ Championship in 1997 at fifteen-years-old, founded his first record label Audio Research when he was still in his teens, and then became a tour DJ to the stars, such as Kanye West and John Legend, before diving headfirst into the world of house music and founding the influential label Fool�
Thes One
As far as record cities go, Los Angeles can feel like an enigma. The size and diversity of its population, in addition to long-standing music and movie industries, means that many meaningful sides were both cut and distributed here, but the geographic size and population dispersion have long frustrated those trying to explore the region’s record riches. It takes time, patience, and a lot of footwork to get anywhere in that game, and if anyone has worn some soles, hunting for soul, it’s been
