No products in the cart.

Interview Archive

Interview Archive(Page 4)

Barbie and Paul are highly ambitious and successful people but extremely humble to the point of self-deprecating, despite being the preeminent documentarians and torch-bearers of the scene. Their current projects include producing the well-curated and beautifully designed (by Paul) zine on a roughly monthly basis for the past four years; hosting monthly sessions of the NYC arm of Classic Album Sundays, an international series of hi-fi vinyl listening events; holding down a weekly radio show at T

I'm sorry I didn’t pretty this up for you guys,” Jonny Go Figure says, walking into the center of his Flatbush, Brooklyn living room which is littered with records. “I know it looks like a clusterfuck in here, but this is just how it is. And I know where everything is.” Jonny closes his eyes and thinks of a record he hasn’t played in a while before digging into a stack and pulling out reggae breakbeat LP by Paul Nice and DJ Wisdom called Beef Patty Breaks. He explains the history of

Montreal-based collector Alexis Charpentier is nothing if not eclectic. He’s equally comfortable digging for fusion jazz records in Serbia as he is vibing to Quebec hip-hop. With a voracious appetite for musical knowledge, DJ Lexis’ collection spans genre and medium to create the best collection in the world—for him, anyway.

Before commercial radio, before the first 78s were pressed, if you wanted to hear music, your best bet might have been to find a church. From rural chapels to urban cathedrals, from hymns to spirituals to chants, church and music have always gone hand in hand, made common not by genre but by purpose.

Next to the music itself, is anything more beloved about a record than its cover art? From 45 picture sleeves to LPs, cover art plays a prominent role in a record’s reputation and legacy. Entire books and websites have been devoted to cover art, and in some cases—think Abbey Road or A Dark Side of the Moon—an album’s cover is possibly more recognizable than its music. We put records in frames and hang them on our walls, we print posters and t-shirts out of them, and most of us will admi

enter to win!

The Vinyl Motherlode

Win over $3000 Worth of Vinyl Goodness! 

One Winner Takes the Motherlode!